Abstract
La Curée is a novel about financial excesses and sexual appetites. A problem arises for Zola: how to describe sexual acts and avoid censorship? Zola's strategy is to portray sexuality in a slightly indirect way. He uses a scientific gaze as an alibi to describe human sexuality. This article demonstrates how Zola combines references to botany and fairground anatomy for this purpose. Botany allows Zola to write about sexuality in a way that is both explicit and indirect. In addition, the naturalistic method of observation offers a ‘neutral’ scientific perspective of sexuality. Finally, references to anatomical Venuses allow the pseudo-pedagogical observation of the naked female body. Therefore, an indecent, voyeuristic gaze reveals itself behind science as alibi, behind the naturalist gaze.
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