De kunst van een democratie van gevoelens

Abstract

Abstract The Art of a Democracy of Emotions There is a long discussion in philosophy about the relationship between reason, emotions and politics. Today the adequate question is not whether, but to what extent and in which sense emotions normatively have to play a role in democracy. My first thesis is that there are three central answers to that question which can be brought down to the nominators ‘presentation’, ‘compensation’ and ‘transformation’. Within a political context, emotions ask for a contemporary form of presentation, for a tempering or balancing compensation, and for a meaningful transformation. And my second thesis is that this threefold reaction can be achieved either with the aid of, or even in an excellent way by, aesthetic experiences. In detail I focus on a brief analysis of the modern political meaning of impertinence; the current situation concerning the philosophical discussion on democracy, emotions and aesthetics (with an accent on Martha Nussbaum); and finally on my own suggestion, supported by I. Kant and J. Dewey, concerning the concept of aesthetic experience.