Abstract
ABSTRACT This study examines the discourse surrounding the transnational flows of South Korean popular culture, known as Hallyu (the Korean Wave), and its relationship to the country’s soft power through a discourse analysis of Korean news and social media. Specifically, the study explores how Hallyu was addressed as Korea’s soft power tool during the COVID-19 pandemic, when it gained even greater popularity overseas through digital means. The study questions how local cultural intermediaries, such as journalists, critics and YouTubers, have engaged with the Hallyu phenomenon. Although Hallyu is often considered a core component of Korea’s soft power, aimed at increasing its influence in overseas reception points, there is a lack of studies on the meanings of Hallyu as a discursive construct in the Korean mediascape. Therefore, this study explores how Korean news and social media perceive and represent the global circulation of their local cultural content.
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