Abstract
The volume opens with a biographic sketch and summary of activities of Renata Holod—minus a list of publications. It then brings together eleven contributions by her former doctoral students, encompassing a very wide geographic, temporal, and conceptual horizon of Islamic art. As the essays directly concerned with Iranian studies (L. K. Michelsen and J. Olafsdotter: “Telling Tales: Investigating a Minaʼi Bowl”; D. J. Roxburgh: “ ‘Many a Wish Has Turned Dust’. Pir Budaq and the Formation of Tu...
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