Abstract
Popular music stars are often relegated to the margins of cinematic star studies, mainly because of their lack of commercial and critical success and the perceived “limits” of their acting ability (Dickinson, 2008: 155-188). There have been relatively few studies1 that have examined these stars as film stars, partially due to the fact that success and failure are debatable terms in regards to crossover music stars. Underpinning success and failure, and indeed whether or not people choose to view these music stars as film stars, is an assumption that their music stardom has and always will eclipse their film stardom.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
