Abstract
This paper aims to bring to light a short text by Pierre Drieu La Rochelle, Exorde, and to analyze its shifty belonging to various genres such as autobiography, political testament, or judicial defensive memorial. In doing so, the paper takes account of the historical background of the French collaboration with the Nazi occupant during the Second World War. A portrait of one of the major intellectuals of les annees folles emerged; a character who consumed to the end his involvement with the new totalitarian cult. Through the forms of the text, the concealing of the style, the singular alteration of the genres between judicial fiction and literary truth, some essential aporias have been unravelled: aporias between different perspectives on law in the debate around purges. The text’s scandal is therefore revealed before the court, in conformity with democratic law procedures, with democracy itself, and, more deeply, in the negation of the concept of history’s justice.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.