Abstract

In the relatively short history of Hemingway studies, a significant controversy has erupted as to how early and to what degree Gertrude Stein influenced Ernest Hemingway's early style. The earlier commentators (whose works date roughly from 1952 to 1973) agree that Gertrude Stein significantly influenced Hemingway's early style from 1921 to 1924. For instance, Philip Young writes that “similarities between his prose and hers suggest indeed that he learned a lot. What she had tried to do in the days when Hemingway was a boy was remarkably like what the young man was going one day to try to do, too.” Charles Fenton concurs, writing that Hemingway responded to Stein's method “between 1922 and 1924, the period of Miss Stein's greatest personal importance to him.” Carlos Baker reports that Stein provided sound advice and that “nearly any 23-year-old author could profit by it,” which is “what Hemingway did whenever he sat down at the typewriter.” Finally, Sheldon Grebstein concludes that “Hemingway brought [Stein's] experiments to fruition and made it [her style] a major resource of his style.”

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