Abstract

Carnatic music (CM) is characterized by continuous pitch variations called gamakas, which are learned by example. Precision is measured on the points of zero-slope in gamaka- and non-gamaka-segments of the pitch curve as the standard deviation (SD) of the error in their pitch with respect to targets. Two previous techniques are considered to identify targets: the nearest semitone and the most likely mean of a semi-continuous Gaussian mixture model. These targets are employed irrespective of where the points of zero-slope occur in the pitch curve. The authors propose segmenting CM pitch curves into non-overlapping components called constant-pitch notes (CPNs) and stationary points (STAs), i.e., points where the pitch curve outside the CPNs changes direction. Targets are obtained statistically from the histograms of the mean pitch-values of CPNs, anchors (CPNs adjacent to STAs), and STAs. The upper and lower quartiles of SDs of errors in long CPNs (9-15 cents), short CPNs (20-26 cents), and STAs (41-54 cents) are separable, which justifies the component-wise treatment. The CPN-STA model also brings out a hitherto unreported structure in rāgas and explains the precision obtained using the previous techniques.

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