Data Bodies

Abstract

Abstract This essay examines two recent books that each take up the vexed topic bodies of data in relation to literature and race in the US: Richard Jean So’s Redlining Culture: A Data History of Racial Inequality and Postwar Fiction and Elizabeth Rodrigues’s Collecting Lives: Critical Data Narrative as Modernist Aesthetic in Early Twentieth-Century U.S. Literatures. Each book, in its own way, asks literary scholars to take the data corpus seriously as both an object and a method of study. While acknowledging that the collection of bodies of data has long been used to efface, dehumanize, and racialize, So and Rodrigues ask readers not to dismiss reactively the data corpus’s potential to also be an unexpected tool for refuting those same naturalized and totalizing narratives. Contemplating, as they do, the unique temporality and spatiality of the accretion of singular points into a collective data, the books explore what a data corpus looks, feels, and sounds like and what it might tell us about the relationship between bodies, books in twentieth-century US literature, and the stories that have and could be told about both.Thinking in different ways about the vexed relationship between bodies of data, literature, and race in the US, Rodrigues and So each demonstrate that, while data cannot speak for itself, there are some stories we can neither hear, see, nor tell without its help.