Abstract
The symbol of the Holy Cross is pivotal to Christendom, and it is central to several medieval and early modern plays covering Constantine’s victory and the finding of the cross by Helena. In the period of Counter-Reformation, these subjects provide examples of Roman Catholic beliefs, referring to relics and miracles, and thus hold propagandistic potential. Their staging allows not only for an authoritative expression of denominational convictions, but also includes a model of government that may, by conveying an ideal of social order, even fulfil a disciplining and critical function. Two plays will serve to illustrate these intentions: Cysat’s Holy Cross Play and the Jesuit drama Constantinus Magnus.
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