Abstract
Every encounter with a work of art has the potential to give birth to the aesthetic experience. The depth of the experience and its transformative effect is different on each person. However, as an experience, its existence is not in doubt. The problem lies on whether an aesthetic experience is something purely subjective or objective. If the aesthetic experience is objective, to what extent can it be accounted for? Could an aesthetic experience encourage certain ethical action? In this paper the author argues that an aesthetic experience is always moving between the directions of a pendulum, namely, when the artwork appeared to the awareness of the subject and when the experiencing subject narrated the experience. The author wants to defend one of the main positions in aesthetics which says that not only the aesthetic experience encourages a particular moral action, the artwork itself might often stand as a medium of a moral struggle for the betterment of the people.
Highlights
Introduksi Pada 1983, di Komunitas L’Arche di Trosly (Prancis bagian utara), Henri J.M
If the aesthetic experience is objective, to what extent can it be accounted for? Could an aesthetic experience encourage certain ethical action? In this paper the author argues that an aesthetic experience is always moving between the directions of a pendulum, namely, when the artwork appeared to the awareness of the subject and when the experiencing subject narrated the experience
The author wants to defend one of the main positions in aesthetics which says that the aesthetic experience encourages a particular moral action, the artwork itself might often stand as a medium of a moral struggle for the betterment of the people
Summary
Introduksi Pada 1983, di Komunitas L’Arche di Trosly (Prancis bagian utara), Henri J.M. Supaya dapat memahami pengalaman dan sikap estetis itu secara lebih tepat, tulisan ini akan diawali dengan sebuah uraian sederhana mengenai apa itu karya seni yang mampu membangkitkan pengalaman estetis.
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