Abstract

A slow but steady stream of critical studies on the diary form have emerged throughout the twentieth and twenty-first centuries. Although a remarkable number of notebooks ( carnets, in French) have been published by poets in the same period, they have not attracted the same critical attention. Taking some steps to redress this imbalance, this article questions whether the lack of critical work on the poetic notebook is due to the pronounced interest that many of these works show in the nonhuman world. Drawing on contemporary models of nonhuman or ecological thought, this article explores how the poet Lorand Gaspar conceives of the notebook as a woven or entangled form of writing. It investigates how his notebook interlaces different knowledge systems, perspectives and styles in order to explore the entangled nature of worldly forces and humanity’s immersion in this immense weave.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.