Abstract

In March 1798 the violinist Giovanni Battista Viotti was expelled from Britain, suspected of being a Jacobin sympathizer. He was allowed to return to England in the summer of 1799 under circumstances that have remained vague to this day. In 1811 he was granted British denizenship, but only after petitioning the Crown. To understand the British Government’s determined stance against Viotti it is necessary to examine his life in Paris in the period 1789–92 – his friendship with the Jacobin journalist-diplomat Hugues Bernard Maret, his entrepreneurial activities, and his attempted takeover of the Paris Opera. These activities were remembered by two eccentric characters of the age, both spies for the British government. The first was an unscrupulous French ultraroyalist, the Comte d’Antraigues. The second was the dogmatic and at times irrational Englishman W.A. Miles, who was especially suspicious of Viotti’s pupil Pierre Rode, who made an unexpected landing in Britain in early 1798. In this article I re-examine the question of Viotti’s expulsion from Britain in light of new evidence against the violinist, some of it apparently damning, and attempt to determine once and for all whether the order was justified.

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