Abstract
This article positions Walter Scott's Waverley novels as formative attempts to analyze Britain's transition to coal-based power. Situating the novels in relation to Scotland's drive to transition from peat to coal, the article argues that Scott's investment in coal is reflected, not only in his representation of fuel types, but also in the Waverley novels' narrative form. The novels' preference for passive protagonists and energetic secondary characters reflects an energy politics that valorizes disembodied, coal-associated agencies over those tied to the body. In their narrative form and conflicted politics, Scott's novels register the contested, incomplete nature of so-called energy transitions.
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