Dance, The Divine, and The Devious Other: Orientalism and the Presentation of Race and Gender in the Work of Ruth St. Denis

Abstract

Ruth St. Denis is considered to be one of the pioneers of American modern dance. She was a performer and choreographer often mentioned alongside the historical giants of modern dance like Isadora Duncan and St. Denis’s own protégé, Martha Graham. Ruth St. Denis’s Eastern-inspired and ornate dance spectacles earned her significant notoriety and enthralled audiences. St. Denis certainly contributed to the evolution of the American modern dance tradition; however, her success also highlights the presence of Orientalist thought in Western culture. St. Denis focused much of her work on what she referred to as Oriental Dancing. Orientalism refers to the idea that the East is spiritual, sensual, and intriguing. Orientalism overlooks the wide variety of cultures and nations in the Eastern Hemisphere and conveniently names them all as exotic other, thus degrading and oversimplifying them. An analysis of two of St. Denis’s most prominent works, Incense and Radha, reveals how Orientalism insidiously affects the perception of both race and gender in dance spectacle while reinforcing imperialist attitudes of Western superiority.