Abstract

The phenomenon of incorporating teaching-learning traditional dances into formal education, despite proposing its practice away from the original cultural environment, should be seen as a phenomenon of knowledge transmission, enrichment and intercultural and ethno-artistic dialogue specific to traditional heritage and choreography of the cultures involved. The teaching of traditional dances exists in the undergraduate formation curricula because the university assumes itself as a plural space of formation, integrating cultural diversity, national and international. This teaching of traditional dances constitutes an area of research, using a practice in context, with a collaborative learning, from the traditional repertoire and community. Through new, contemporary and dynamic ethnocoreographic narratives, it includes and integrates community cultural practices.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call