Abstract
This article analyses the incompetency of Indian philosophy of ‘Absoluteness’ and Western genre of classical Bildungsroman to analyse the process of self-formation in an odyssey of a Dalit. The modern contemporary era negotiates post-colonial and postmodern approaches to provide a heuristic view to the subjected self of a Dalit. The modernist approach takes Dissensual Bildungsroman into consideration. Om Prakash Valmiki’s Jhoothan narrates an experience of a subjugated and unheard voice and his journey of self-acculturation. The paper pre-eminently concerns with unique and experimented form of self which can provide a tantamount status to the pariah community and their culture compared with the elite Hindu community and among its wide range of readers and audience.
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