Abstract

The article is focused on the passage between the two great architectural styles which marked the Christian Middle Age: Romanesque and Gothic. The author dwells, therefore, on the relationship between Theology and Architecture, connecting it with the three spheres (God, human being and world) and the two styles mentioned above. The article, investigating the “spirito del tempo” and the “armonia delle sfere”, lingers on medieval music and echoes that it produces both in the Romanesque and Gothic cathedrals as on the formation of the human being.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.