Abstract
The article deals with the reasons for the need of studing creativity of Nizami Ganjavi on a global scale, analyzes the ideas and thoughts that cover all areas of life, that are relevant for all periods in his poems. Beginning from the first information described in the work of “Oriental Library”, which was written by Bartelemy d`Herbelo in the XVII century, the author investigated and analyzed the researches and works related to Nizami Ganjavi`s creativity such as translation of “Seven Beauties” by Clerombl in 1741, Silvestr de Sasi in the XIX century, Lucien Buva, Alfons Russo, Henry Masse, Louis Aragon in the XX century and commented on their studies. Key words: Nizami Ganjavi “Khamsa”, Definition of the Prophet, The Miraj of the Prophet Muhammed, Voltaire, Henri Masse, P. L.Krua, François- Bernard Charmoy
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