Abstract
This paper applies theory concepts by G. Voissset and Massimo Cacciari, but also the contribution of poets like Horatio, Fernando Pessoa and Édouard Glissant. It is an analysis of the tragedy Les portugais infortunez, by Nicolas-Chrétien Des Croix, edited in Rouen (1608). The shipwreck of Manuel de Sousa Sepulveda with his wife and children but also 600 people in Galion S. João in 1552, in South Africa (Terra do Natal), account edited in 1554 and compiled by Bernardo Gomes de Brito (Tragic history of the sea, T.I., 1735) which source is Historiarum indicarum(B. XVI) by father G. Maffei (Florence, 1588) is the theme of this tragic play. After six months of pilgrimage in Africa (300 leagues) the Portuguese are welcome in Inhaca island by a good king. But their imprudence pushes them to Manhiça, another island where they are disarmed and denuded till their death by exhaustion and hunger the majority of them. Finally, they leave the Elephant island to arrive to Mozambique island. From the image of island refuge (Inhaca, Elephant, Mozambique) it succeeds the xenophobia, suspicion and expiatory sacrifice. The image of archipelago is ambiguous: the wrecked persons are ambitious but also annunciators of the Gospel.
Highlights
Neste artigo, recorremos à tragédia Les portugaiz infortunez, de Nicolas-Chrétien Des Croix, publicada em Rouen, em 1608, para ilustrar a nossa reflexão sobre a imagem de ilha-refúgio, no contexto teórico do imaginário de arquipélago e arquipelização
It is an analysis of the tragedy Les portugais infortunez
the Portuguese are welcome in Inhaca island by a good king
Summary
Recorremos à tragédia Les portugaiz infortunez, de Nicolas-Chrétien Des Croix, publicada em Rouen, em 1608, para ilustrar a nossa reflexão sobre a imagem de ilha-refúgio, no contexto teórico do imaginário de arquipélago e arquipelização. A interação entre o sujeito e o espaço domina a nossa vida e a poética do imaginário releva-a na literatura como uma das categorias da narrativa e do drama. Exploraremos essa categoria como uma das expressões dominantes da expiação trágica dos protagonistas, náufragos emblemáticos da chamada História trágico-marítima
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