郭幼亭雙簧管演奏會含輔助文件托馬索．阿爾比諾尼《D小調雙簧管協奏曲，作品九第二首》之演奏探討與詮釋分析

Abstract

Tomaso Giovanni Albinoni(1671-1750/51)is a fruitful composer, whose concertos made in 1700s had consisted with the spirit of the evolution of it from Antonio Vivaldi and had been inspirable in the history, during the Baroque. Our research chose one famous piece- oboe concerto no. 2 in d minor, op. 9- from two representative volumes- concerti a cinque- for oboe and string orchestra(op.7 and op.9)of Albinoni to do the empirical study. In Chapter 1, I introduced the biography of Albinoni and his compositions for oboe briefly; and then, I sought to do a briefing of this piece through the illustration of the evolutionary process and compositional style in that era. In Chapter 2, to figuring out the context of this work, I analyzed the structure, artistic technique, phrase and motif of this piece. Because it usually existed some perplexity of how to polish the melody by ornaments while playing the Baroque adagio, I discussed ornaments and practiced it through the 2nd movement of this work to realizing the way of using ornaments in Chapter 3. In Chapter 4, according to my learning and performing experience and some relative theory, I demonstrated the technique of performance by probing the articulation, vibrato, speed and volume, etc. And it would express what I want to interpret in this article directly.