Abstract
The article analyzes the way of constructing the image of the city in historical crime fiction set in Łódź. The texts analyzed in the article are the novel Perkalowy dybuk [Percale dybbuk] by Konrad T. Lewandowski about the events of 1929, Tramwaj Tanfaniego [Tanfani’s tram] by Marcin Andrzejewski, a novel set in 1905, and Krzysztof Beśka’s trilogy Trzeci brzeg Styksu [The Third Shore of Styx] Pocztówka z Londynu [A Postcard from London] and Dolina popiołów [Valley of Ashes], novels set in the years 1892–1893. All the texts provide an point of departure for showing the image of Łódź at the turn of the 19th and 20th centuries and in the interwar period, as shaped in the contemporary popular literature. Władysław Reymont’s Ziemia obiecana [The Promised Land] seems to be a starting point for all authors, but in all texts this image borrowed from the fundamental “Łódź text” becomes complicated. It seems that eventually in this unconventional form, which historical crime fiction undoubtedly is, we find a reflection of contemporary dilemmas of the urban space. Its residents try to find their own identity in the meanders of memory and oblivion in the industrial-proletarian past of the “bad city”.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
