Abstract
Tom Stoppard’s Travesties deals with a moment of apocryphal history, when three historical figures – James Joyce, Tristan Zara and Vladimir Lenin – come together in the Zurich public library in the apocalyptic third year of World War I. A fourth but lesser known historical witness, one Henry Carr, recalls his meeting with the “men of history,” through the misperceptions of memory, providing a prismatic but, of necessity, a fragmented, inaccurate and, perhaps, fictional insight into the lives ...
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
