Abstract
1. Introduction 2. Competing voices in the early novels 3. The 'metaphysic' of The Rainbow 4. The 'worlds' of Women in Love 5. The personal, the political and the 'Primitive': Aaron's Rod and Kangaroo 6. Sentimental primitivism in The Plumed Serpent 7. 'Love' and 'Chatter' in Lady Chatterley's Lover 8. Conclusion.
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