Abstract
The author of this article attempts to interpret Miron Białoszewski’s poems wywód jestem’u, leżenia, głowienie, roztopienie się we mnie cytatu, mironczarnia, “[leży po mnie w rozbetach w kapie]”, and mylne wzruszenie from the poetic cycle Leżenia from the book Mylne wzruszenia. The author examines how the (autobiographical) subject manifests itself in these poems. She states that the category of self, as described by Roma Sendyka in From the culture of the I to the culture of the self, is more adequate here than the concept of Cartesian ego, and emphasizes its corporeal and relational nature.
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