Abstract
Latin American film studies has become a significant force since the turn of the millennium, a point that coincided with the emergence of a more commercial approach to fiction cinema from the region in large part due to significant changes in the funding and infrastructural support made available to many Latin American film-makers from the late 1990s onwards, as well as the much greater accessibility of their films due to changes in technology and online developments. Before then there were important tomes from the likes of Robert Stam, John King, Julianne Burton and Michael T. Martin , to name a few, but from 2000 the explosion of academic writing on cinemas to emerge from Latin America has been impossible to ignore. While this is largely very welcome for the increased diversity of voices and approaches that such interest and activity bring, it also makes it far harder for those working in the field to stand out.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
