Abstract

The article works about two kinds of writing of Simone Beauvoir. It takes part of her theoretical writing, El Segundo sexo, and three of her autobiographies books: La ceremonia del adios, Una muerte muy dulce y Final cuentas. The point of the critic's analyses between those two kinds of creations is the plot de la madurez a la vejez. So the article proposes a dialogic articulation between Simone Beauvoir's discourses of essays and the autobiographical writing. The goal is analyses the crosses, invasions, separations and the way in which each one give splendor to the other.

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