Current Bibliography: Annotated

Abstract

CURRENT BIBLIOGRAPHY: ANNOTATED ALBERT J. DEFAZIO III George Mason University [HEMINGWAY REVIEW bibliographer Al DeFazio welcomes your assistance in keeping this feature up-to-date. Please send reprints, clippings, and photocopies ofarticles, as well as notices ofnew books, directly to him at 1837 Salinwood Court, Vienna, VA 221S2. E-mail: bibliographerhemingwaysociety .org.\ Anon. Rev. of Hemingway on Fishing ed. by Nick Lyons. Virginia Quarterly Review 77.3 (2001): in. [Favorable.] Beegel, Susan F. "A Sheaf of Hemingway Centennial Offerings." Resourcesfor American Literary Study 27.2 (2001): 276-285. [Reviews EH, True at First Light: A Fictional Memoir, Michael Reynolds, Hemingway: The Final Years; Marcelline Hemingway Sanford, At the Hemingways, With Fifty Years of Correspondence Between Marcelline and Ernest Hemingway, Charles M. Oliver, Ernest Hemingway A-Z: The Essential Reference to the Life and Work, and Frederick Voss, Picturing Hemingway.] ----------. "Editor's Note." The Hemingway Review 21.2 (Spring 2002): 11-12. Birkerts, Sven. "The Struggle for the Soul of the Sentence." The Wilson Quarterly 25.4 (2001): 68+. [Identifies two stylistic veins that represent "the conflict between world views at the level of the sentence": "ascetic realism" championed by Raymond Carver and indebted to EH, and "'maximalism,' a tendency toward expansive, centrifugal narrative that aspires to embrace the complexity of contemporary life" represented by Thomas Pynchon.J Bittncr, John R. "African Journeys: Hemingway's Influence on the Life and 'Writings of Robert Ruark." The Hemingway Review 21.2 (Fall 2002): 129-145. Bjerre, Thomas "'It Was Always Life Intense I Was After': Heroes, True and False, in Barry Hannah's Fiction." Mississippi Quarterly 54.2 (2001): 213: nu: iiïMiNGW.V) luvHw, vol.. 22. no. i. MU 2002. Copyright © 2002 Carol Hemingway. All Rights Reserved. Published by the University of Idaho Press, Moscow, Idaho. I 38 · THE HEMINGWAY REVIEW 22. [Brief comparison between Bobby Smith, who admires a player who is passionate about his game in The Tennis Handsome and Jake Barnes of SAR, who respects Romero for his afición.} Brogan, Jacqueline Vaught. "True at First Light A New Look at Hemingway and Race." North Dakota Quarterly 68.2-3 (2001): 199-224. Brogger, Fredrik. "Uses and Abuses of Biographical Criticism for the Study of Hemingway's The Sun Also Rises" North Dakota Quarterly 68.2-3 (2001): 59-69. Clarke, Brock. "What Literature Can and Cannot Do: Lionel Trilling, Richard Rorty, and the Left." The Massachusetts Review 41.4 (2000-2001): 523-539. [Applauds Trilling and Rorty for pursuing the complex relationship between politics and art, with particular reference to Trilling's "Hemingway and His Critics" wherein he observes "not that Hemingway could not write political literature, but rather that Hemingway, aided and abetted by left-wing critics, had forgotten how expansive such literature had been and might still be. In being so irresponsible, Trilling implied, left-wing critics had ceased to be critics at all because they had stopped being serious readers of texts, readers who paid attention to the specific aims, possibilities , and limitations of the texts themselves."] Cohen, Milton. "War Medals for Sale? Public Bravery vs. Private Courage in Hemingway's WWI Writing." North Dakota Quarterly 68.2-3 (2001): 287-294. [Notes EH's changing attitude toward war. | Coveny, Peter. "The Hemingway Centennial." Firsts: The Book Collector's Magazine. (Jan. 2000): 54-63. [Review article covering new books, conferences and lectures, magazines, web sites, non-print events; includes brief bibliography.] Davison, Richard Allan. "Hemingway's ? Clean, Well-Lighted Place': Some Notes on American Influences." American Literary Dimensions: Poems and Essays in Honor of Melvin J. Friedman. Ed. Ben Siegel and Jay L. Halio. Newark: U of Delaware P, 1999. 81-98. ["The human dignity in the face of despair evidenced in the old man in ? Clean, Well-Lighted Place' also endures in Edwin Arlington Robinson's 'Ben Jonson Entertains a Man From Stratford' and 'Mr. Flood's Party,' in Robert Frost's 'Desert Places' and 'Acquainted With the Night,' and in Archibald MacLeish's 'The End of the World.' They all have in common a sense of living with dignity in the midst of nothingness, of living courageously despite a sense of annihilation."! CURRENT BIBLIOGRAPHY · 139 ----------. "Celebrating Hemingway Off-Broadway: Michael Hollinger's An...