Abstract

ABSTRACT Nanjing Imperial Examination Museum of China is founded upon the historical remnants of Jiangnan Gongyuan (Jiangnan Imperial Examination Hall) and the enduring heritage of the Chinese Imperial Examination System. This system, prevalent for over a millennium, interwove state interests with individual aspirations through Confucian education. Within this context, Jiangnan Gongyuan served as a state agency that projected dreams of order and authority. The dreams continued in the contemporary Chinese Dream discourse of national rejuvenation, seamlessly integrated into the logistical narrative structure of the Nanjing Imperial Examination Museum of China. This article draws on primary sources from archival materials, interviews, visitors’ reviews, and fieldwork data to illustrate the ongoing logistical manifestation, complemented by current curation and spatial strategies of the museum. Beyond the logistical framework, this paper proposes an alternative approach to viewing the intricate roles of museum curators within Chinese national/provincial museums. These roles include three-dimensional functionalities: logistical agents displaying diffusive state authority, cultural institutions balancing ideological propaganda with commercial profits, and public spaces encouraging widespread engagement.

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