Abstract

Some relations between poetry and Cultural Psychology have been investigated in the past. Yet, the very nature of poetry and its fundamental links to Cultural Psychology remain uninvestigated. By outlining the essence of poetry – its rhythmic-melodic, linguistically pictorial character – I show how poetry is in deep accordance with Cultural Psychology of Semiotic Dynamics. Poetry is all about experiences and emotions; these emotive experiences explain the basic relatedness of a person towards an object and shed light onto the complex processes of sign construction. It is only while taking into account the genetic Gestalt, previous and subsequent elements within a specific rhythmic and pictorial form that we are able to unravel this specific relatedness. Different poetic texts might then treat the same object but the relatedness towards it might diverge drastically. Based on these poetic elements, I define culture as a poetic field. Referring to a fictitious example, I explain that researchers and practitioners need to take into account a person’s complex rhythmic actions, that are divided genetically into different forms to understand his/her complex experiences of the environment. Then this illuminative power of relatedness sheds light onto the dynamically complex structuring and re-structuring of culture.

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