Abstract

The human beings, in how much such, from always, also a lot before the advent of homo sapiens, are natural producers of culture. The human incompleteness is not an exclusive characteristic of the human and beginning from it, human beings have delivered up like beings of imagination, taking themselves the risk to be sense makers. The incompleteness is the characteristic that indicates the possibility like ontology of the human, possibility like never definitively resolved task. The culture is inherited beside the genetic inheritances and subsequently it is introduced like process, agency far from determinist and dogmatically subjectivist conceptions. The contemporary cultures are work in progress that the uncontrollable migratory flows of the globalization feed continuously. The stranger today is at home and contributes to define the identity of the head of household: this is the tremendous beauty of the contemporaneity, that lives one ontologic obligation to the comparison and that the cinema, communication expression and main art of our modernity, from always have known to record, narrating it as through the dramas and the tragedies, as through the sinuosity of the comedy, the restlessness of the differences. With its stories, it records the successes of the accepted cultural conflicts and the drifts of the cultural crashes, produced by the incontestable convictions where blood and ground have not meant the pietas towards the original memory, but the blind violence towards the hospes-hostis that could have contributed to rewrite our identities.

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