Abstract

This article explores the ways states manage their national identity through cultural tourism policy. It draws on archival and ethnographic data on the opening of the Armenian Akhtamar Church in Turkey to cultural tourism and religious service for the first time after 95 years. Based on narrative evidence from the disputes among various actors with conflictual constructions of history, I find that states can use cultural tourism to produce multiple articulations of national identity and govern these articulations in accordance with their interests. The presence of multiple stages of tourism policy and the time and space bounded nature of interaction at each stage allow for the production of multiple images in different interaction situations. At the same time, the discourse of economic development associated with cultural tourism allows state actors to insulate themselves from criticism in disputes over national identity. The article shows how states use cultural tourism to create national identity even in the case of complex histories.

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