Abstract

In the present article, I dissect key elements of Hermann Hesse’s famous novel, the Glass Bead Game (Glasperlenspiel) in order to make them fertile for Cultural Psychology. I originate from the idea that the Glass Bead Game can be understood as a universal language that relies on open ideographs, thus signs that can be combined and structured for multiple purposes. Yet, this universal language is not solely a play; it has an educational drive to educate the mind and to help the individual reaching inner harmony. This play comes into being only when listening to the play of other people interacting with me and me meditating upon the multiple meaning making opportunities of it. I argue that such a perspective is in close accordance with the actual task of Cultural Psychology helping to unravel how people do relate to their environments and the impact that results from this ecological interaction. However, I appeal interested readers in trying to better institutionalize such a cultural psychological purpose of serving the individual in order for Cultural Psychology to be a sustainable and long-lasting science unlike the Glass Bead Game that became an end in itself.

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