Cultural Productions of Queer Asia

Abstract

Queer Asia, which critiques the multidimensional flows of power (e.g., globalization, market capitalism, state capitalism, and/or Western queer formation), is a process of reimagining historically specific and culturally saturated nuances of minoritized sexualities and genders in and across Asia and Asian diasporas. This process redirects attention to cultural productions of Queer Asia as disjunctive modernities. By this means, contemporary global capitalism enables a paradoxically contested space of temporality through which new geopolitical imaginaries of minoritized sexualities and genders can emerge. Consequently, Queer Asia troubles, remixes, and remaps how the logic of Whiteness that operates as a global, colonial, imperial, and capitalist power homogenizes culturally heterogeneous paradigms of minoritized sexualities and genders through LGBTQIA+ identities, discourses, and politics. Three topics—identifications and affinities, relationalities and spatialities, and media and popular culture—represent indefinite and unlimited possibilities of Queer Asia. Accordingly, examining these topics in light of the cultural productions of Queer Asia provides possible pathways to expand the current circumferences of queer studies in communication, which is known as a very White, Western, and US-American discipline.