Abstract

AbstractThe organisation and representation of diversity is a crucial challenge for all countries and especially for post-colonial nations. Accordingly, the politics of multiethnic representation as well as multicultural rhetoric is constantly reformulated and adapted to new conditions, both locally and globally.Cultural theme parks are a typical arena for the display of multiculturality. In the case of Indonesia it is of special interest to investigate whether and in what ways the public staging of ethnic cultures has changed in the reform era (since 1998). This includes aspects of inclusion and exclusion. Which ethnic groups are defined as being constitutive for the Indonesian nation and how are they represented in the central theme park, Taman Mini, in Jakarta? In which ways are the political processes of democratisation and decentralisation reflected in the organisation of Taman Mini, which used to be a main icon of Suharto's New Order regime?This paper suggests that there is a need for Indonesia to re-imagine itself and to refashion a globally oriented multicultural—or, even better, transcultural—identity for the future. Popular public spaces like cultural theme parks have the potential to be appropriate places for such innovative visions.

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