Abstract

L’ouvrage rassemble vingt-quatre contributions et est organise en cinq parties. On trouvera dans la premiere («Poetic and Musical Performances»): Michel Zink, La poesie comme recit (pp. 3-13; considerations sur la conception medievale de la poesie); Samuel N. Rosenberg, Colin Muset and Performance (pp. 15-23); Edward H. Roesner, “Subtilitas” and “Delectatio”: «Ne m’a pas oublie» (pp. 25-43; sur le motet Ne m’a pas oublie / In seculum, ms. Montpellier H 196, f. 246); Jane H. M. Taylor, “Flable...

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