Abstract
Abstract In April 1977, after almost two years in power, the Front for the Liberation of Mozambique (Frelimo) announced their plans for the culture of the new nation. Pitched in military terms, and announced in the document translated for the first time here, the “Cultural Offensive of the Working Classes” drew on Marxist theory to define a revolutionary new culture, and to deploy this culture as a weapon in the ongoing struggle to build a postcolonial, postcapitalist society.
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