Cultural Negotiations: Jazz and the West in the New Millennium

Abstract

It is common to talk of such things as Western culture, African culture, Oriental culture, etc. as though they described culturally coherent entities. If we look closely at the evolution of jazz in 20th century America, however, we see that this division between “the West and the Rest” is incoherent. For example, the idea that jazz is specifically American in character arose in propaganda during WWII and was not a result of cultural analysis. The idea of Western culture seems to be ideologically driven and is only loosely related to the details of cultural origin and practice.