Abstract

The Bonito Phase (ca. AD 850 to 1140) in Chaco Canyon, New Mexico, is widely assumed by archeologists to reflect the growth and decline of a coherent sociopolitical entity, one of the classic examples of emergent social complexity among ancient indigenous North American populations ending in a societal collapse. This understanding of Chaco is based, in part, on the interpretation of temporal changes in material culture as intentional efforts to maintain cultural identity and continuity in the face of social disruption. In this study, I suggest that the Bonito Phase actually encompassed at least one major episode of cultural discontinuity, calling into question the perception of a distinct “Chaco society.” Instead, patterns of material production in Chaco point to multiple cultural identities linked to serial reoccupation of the canyon.

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