Abstract
Introduction - modernity writ German - state of the art as art of the Nazi state reflections of the Weimar cinema in the Nazi propaganda films SA-Mann Brand, Hitlerjunge Quex and Hans Westmar Luis Trenker - a rebel in the Third Reich? the director and the diva - th efilm musicals of Detlef Sierck and Zarah Leander fear of flying - education to manhood in Nazi film comedies far away, so close - Carl Froelich's Heimat a cinematic constructioon of Nazi anti-Semitism - the documentary Der ewige Jude escaping home - Leni Riefenstahl's visual poetry in Tiefland literary Nazis? - adapting 19th-century German novellas for the screen the spectacle of war in Die grosse Liebe turning inward - an analysis of Helmut Kautner's Auf Wiedersehen, Franziska, Romanze in Moll, Unter den Brucken working for the man, whoever that might be - the vocation of Wolfgang Liebeneiner.
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