Abstract

The paper discusses the reasons behind the dominance of governance in contemporary societies. The techniques of government cannot be understood apart from a critical genealogy of governmentality. This article references Michel Foucault’s analysis of governmentality to analyze the role of governance in arts and cultural management. It argues that, following the governmental state described by Foucault, the contemporary governance state is defined by a new spectacle governmentality. The globalized context of this governmentality produces a simulacrum of governance that tends to substitute for actual outcomes. The South Korean case is used to illustrate this new form of ubiquitous cultural governance.

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