Abstract

Abstract The current location and curatorial display at the British Museum of a Hellenistic bronze head of the goddess Anahita in the guise of Aphrodite, found at Satala (Asia Minor), reveal little of the importance ascribed to it at the time of its acquisition, or of the complex route by which the head came to form part of the museum’s collection. Detailed examination of archival documentation relating to this acquisition shows how, despite nineteenth-century Ottoman and Italian legislation in relation to antiquities, this head and its accompanying bronze hand were found in the province of Armenia, sold by an Ottoman diplomat to a private collector in Rome and used to secure the sale of a collection of jewellery to the British Museum. The journey of the head illustrates the importance of diplomatic channels, the workings of the nineteenth-century European trade in art and antiquities and how museums, diplomats and collectors were able to assemble collections.

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