Abstract

The Arab community is essentially a patriarchal one with a history of women being subjected to various kinds of afflictions and oppression under cultural, religious and societal laws. Though there is a collective consciousness now regarding the position of the Arab woman in the Arab world, with significant progress being made to emancipate and empower them, much needs to be done still. Set in the mid-20th century Jordan, Arab Anglophone author Fadia Faqir’sPillars of Salt portrays the tragic plight of Arab women at the hands of the traditional patriarchal Arab communities of Jordan. Nature plays a significant role in Faqir’s narrative wherein much of the miseries faced by the women characters are conveyed through rich nature imageries and analogies. This renders the novel the identity of an eco-fictional work and provides scope for analysis based on the ecological approaches as perceived in Emerson’s Nature to the more recent theory of Ecocriticism formulated by William Rueckert. This paper explores an ecocritical approach towards the position of women in the Arab society as expressed through profound eco-comparisons, imageries and analogies in Fadia Faqir’s Pillars of Salt.

Highlights

  • Nature is the vehicle of thought, and in a simple, double, and threefold degree Ralph Waldo Emerson

  • Coined by William Rueckert in 1978 in his essay, “Literature and Ecology: An Experiment in Ecocriticism”, Ecocriticism is defined as the study of the connections between literature and nature at an interdisciplinary level

  • Another focus of Ecocriticism is the analysis of connections between nature and culture, offering scope for the exploration of literary and cultural texts

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Summary

Introduction

Nature is the vehicle of thought, and in a simple, double, and threefold degree Ralph Waldo Emerson.

Results
Conclusion
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