Abstract

The Shadow of God is a magisterial achievement. In that vein, readers may find it especially opportune that this is a book about the concept of immortality—though, in line with the more dynamic picture it presents of our ideas about immortality in shifting cultural landscapes, I make the more modest, though no less impressive, suggestion that this book will stay with students of German Idealism and of political theory at large for a very long time to come.

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