Cultural artefacts and the ‘migration crisis’: Disruptive materialities in works by Navid Kermani and Maxi Obexer

Abstract

Amplified worldwide fragility and growing mobility have contributed to increased forced migration towards Europe. However, Europe’s present focus on border protection has furthered the ‘migrant crisis’ which is very much a crisis of response. News about the ‘migrant crisis’ continues to dominate political discourse in Europe and elsewhere. The discussions typically focus on Europe’s supposed solutions in the form of increased border security, new political agreements, and various forms of humanitarian aid. This article reviews four literary texts about Europe’s responses to forced migration and proposes that the literary treatment of various cultural artefacts employed in these texts critiques Europe’s current restrictionism. Two speeches by Navid Kermani, ‘Towards Europe’ and ‘On the sixty-fifth Anniversary of the Promulgation of the German Constitution’ and two novels by Maxi Obexer, Wenn gefährliche Hunde lachen (‘When dangerous dogs laugh’) and Europas längster Sommer (‘Europe’s longest summer’) make reference to several phenomenal objects and also to gestures. In and of themselves, these cultural artefacts such as beds, blankets, buses, lipsticks, T-shirts, shoes, and even the gestures of kneeling and bowing, may not possess anything disruptive. However, there is an unruly quality about them that puts a spotlight on the precarity of survival migrants who cannot access the European asylum process.