Abstract

Abstract The cult science fiction (sf) film is one that, in various ways, is excessive in relation to common understandings of the genre. It is typically weirder, stranger, quirkier, and/or of lesser quality than other sf films. This chapter defines that difference and focuses specifically on a cult subcategory—the quirky dystopian film. With particular attention to Terry Gilliam’s Brazil, Alex Cox’s Repo Man, Yorgos Lanthimos’s The Lobster, and Boots Riley’s Sorry to Bother You, the chapter explores how these black comedies use absurdity to offset the bleakness of their dystopian settings and to amplify their critiques of contemporary life. Their particular quirkiness becomes a marker of and for their cult audience who find in this character a reflection of themselves and their desire for individuality.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.