Abstract

Are the cues that speakers produce when lying the same cues that listeners attend to when attempting to detect deceit? We used a two-person interactive game to explore the production and perception of speech and nonverbal cues to lying. In each game turn, participants viewed pairs of images, with the location of some treasure indicated to the speaker but not to the listener. The speaker described the location of the treasure, with the objective of misleading the listener about its true location; the listener attempted to locate the treasure, based on their judgement of the speaker’s veracity. In line with previous comprehension research, listeners’ responses suggest that they attend primarily to behaviours associated with increased mental difficulty, perhaps because lying, under a cognitive hypothesis, is thought to cause an increased cognitive load. Moreover, a mouse-tracking analysis suggests that these judgements are made quickly, while the speakers’ utterances are still unfolding. However, there is a surprising mismatch between listeners and speakers: When producing false statements, speakers are less likely to produce the cues that listeners associate with lying. This production pattern is in keeping with an attempted control hypothesis, whereby liars may take into account listeners’ expectations and correspondingly manipulate their behaviour to avoid detection.

Highlights

  • To tell a lie is to knowingly produce an utterance that is false

  • The present study explores a range of potential behavioural cues to lying, in order to compare those produced by speakers with those attended to by listeners

  • We consider the following questions: In cases where speakers utter a literal untruth, do they produce perceptible evidence that they are lying; do listeners make use of these cues in order to infer the truth? This is of particular interest, since evidence from lie perception demonstrates that listeners hold strong beliefs regarding the discriminative value of many cue behaviours (Akehurst et al, 1996; see Zuckerman, Koestner, & Driver, 1981 for a meta-analysis), despite independent evidence from lie production to suggest that the actual cues that correlate with lying are weak

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Summary

Introduction

To tell a lie is to knowingly produce an utterance that is false In producing such an utterance, a speaker’s behaviour may contain cues which signal the lack of truth. These cues might range from speech cues such as hesitations, speech disturbances, and changes in the pitch or rate of speech, to nonverbal cues such as blinking and hand gestures (DePaulo et al, 2003; Sporer & Schwandt, 2006). This is of particular interest, since evidence from lie perception demonstrates that listeners hold strong beliefs regarding the discriminative value of many cue behaviours (Akehurst et al, 1996; see Zuckerman, Koestner, & Driver, 1981 for a meta-analysis), despite independent evidence from lie production to suggest that the actual cues that correlate with lying are weak (see Hartwig & Bond, 2011, for a meta-analysis) We consider the following questions: In cases where speakers utter a literal untruth, do they produce perceptible evidence that they are lying; do listeners make use of these cues in order to infer the truth? This is of particular interest, since evidence from lie perception demonstrates that listeners hold strong beliefs regarding the discriminative value of many cue behaviours (Akehurst et al, 1996; see Zuckerman, Koestner, & Driver, 1981 for a meta-analysis), despite independent evidence from lie production to suggest that the actual cues that correlate with lying are weak (see Hartwig & Bond, 2011, for a meta-analysis)

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