Abstract

The sketches of Bogdan Bogdanović are and are not associated with the designs of the monument entities. The architect would arrive to numerous conceptual solutions while conscientiously taking the side paths. Undoubted poetic multi-layeredness requires trans-disciplinary approach in studying this exceedingly rich chest of works. The study that follows points out to certain examples from the sketcher's practice, without the aspiration of setting forth the methodological guidelines.

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