Abstract
Abstract For this visual essay, Suling Wang’s contribution comprises a series paintings on paper, which are juxtaposed with photographic images of the artist’s native Taiwan, combining gestural mark-making with collage to reflect on themes of cultural identity, location and memory. In particular, notions of abstraction and representation are explored in relation to the changing landscape and the artist’s own personal history of travel and living abroad. The work meditates on the abstraction of the painter’s forms in relation to Chinese landscape painting as well as the role of travel and experience in artistic expression.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.