Abstract

Gutorm Gjessing was one of the most influential investigators in Norwegian archaeology. He is particularly known for his monumental works on the Arctic Stone Age, which proposed an alternative to south‐north diffusionism. In 1947 Gjessing suddenly left archaeology in favour of ethnography at the Oslo Ethnographic Museum, which also led his carrier in a downhill direction. This article is partly biographical and partly analytical and claims that Gjessing's archaelogical works and theories in the 1930s ‐ 40s were only marginally non‐conformist, since they largely reflected current viewpoints in European culture‐historical archaeology. Gjessing's view of culture is located in culture‐historical archaeology and American cultural anthropology and it is compared with the anthropology of the “British School”. Also analyzed is how Gjessing in some respects placed himself on the fringe of the establishment. It is not pretended to give any definite answers, rather it is focused upon questions which can be raised and provides a more nuanced picture of” the mythology which has surrounded Gutorm Gjessing, both as archaeologist and anthropologist.

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